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Music in the Western World: A History in Documents

Music in the Western World: A History in Documents

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Authors: Piero Weiss, Richard Taruskin
Publisher: Schirmer
Category: Book

List Price: $58.95
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Avg. Customer Rating: 5.0 out of 5 stars 5 reviews
Sales Rank: 67320

Media: Paperback
Edition: 1
Number Of Items: 1
Pages: 576
Shipping Weight (lbs): 1.7
Dimensions (in): 9.1 x 6 x 1

ISBN: 0028729005
Dewey Decimal Number: 780.9
EAN: 9780028729008
ASIN: 0028729005

Publication Date: February 1, 1984
Availability: Usually ships in 1-2 business days

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  • Norton Recorded Anthology of Western Music, Fifth Edition, Volume 2: Classic to Twentieth Century (6 CDs) (v. 2)
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Editorial Reviews:

Product Description
This classic anthology assembles over 200 source readings, bringing to life the history of music through letters, reviews, biographical sketches, memoirs, and other documents. Writings by composers, critics, and educators touch on virtually every aspect of Western music from ancient Greece to the present day.


Customer Reviews:

5 out of 5 stars Good service   January 9, 2007
 0 out of 2 found this review helpful

This book was in stated condition and was sent in a timely manner.


5 out of 5 stars Highly Recommended   October 27, 2005
 1 out of 1 found this review helpful

Music for the Western World is an excellent anthology of source readings in western music history. Texts are well-chosen and entirely relevant to the period being discussed. What's unique about this book is the breadth of issues addressed and variety of sources cited. You get to hear from all sorts of people, from composers, to critics, to philosophers, and the texts offered take the form of letters, articles, reviews, autobiographies. All is given within a clear historical context, with reference to such events as the Reformation, French Revolution, and World Wars. Interesting introductions by editors Richard Taruskin and Piero Weiss (my professor at the Peabody Conservatory) as well as pictures, diagrams, and a good glossary allow this book to go beyond being simply a textbook. Anyone with an interest in music will find it easy to understand and entirely enjoyable.


5 out of 5 stars Fine collection edited skillfully for readability & breadth   June 17, 2004
 8 out of 8 found this review helpful

This is a particularly fine collection of a couple of hundred readings on Western Music from the ancient Greeks to the 1980s. That is a broad span, but the editors, Weiss and Taruskin, have done a fine job and keep things moving in a lively manner. The energy and vitality of these articles holds the reader's interest and wondering what treasure is coming next.

Of course, this is a perfect volume for students in courses on music history and music appreciation, but it is also a very fine book for the general reader who is interested in learning more about the history of Western Art Music ("Classical Music").

What I like about volumes of source readings is the way the writings give a better context and flavor of their time than any later writing. Yes, the editors have to provide some context for us, and the editors do make choices about what to provide to us and they are almost always in translation, but they make a valuable contribution to one's education about the matters at hand.

This is a fine collection that is edited in a skillful way for readability, breadth, and vitality. Superb job!


5 out of 5 stars Best collection of its kind   June 21, 2003
 3 out of 4 found this review helpful

A fabulous collection for professors, students, and amateurs alike. More concise than others out there without sacrificing the breadth and importance of the readings. Editors' introductions are extremely helpful in placing each reading in context. A must-have for evey music lover.


5 out of 5 stars recommended   July 29, 1999
Well...an entertaining and thought-provoking selection of essays and curiosities. It amused me to learn that Shoenberg called Stravinsky (with bitter sarcasm) "Modernsky". Milton Babbitt's notorious "Who Cares If You Listen?" article is followed by an apposite rebuttal evoking (though not alluding to) the second part of C.S. Lewis's brilliant "The Abolution of Man".

Also recommended: PENTATONIC SCALES FOR THE JAZZ-ROCK KEYBOARDIST by Jeff Burns.

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