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Making Tracks: The Rise Of Blondie

Making Tracks: The Rise Of Blondie

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Authors: Debbie Harry, Chris Stein, Victor Bockris
Publisher: Da Capo Press
Category: Book

Buy Used: $60.00



Used (4) Collectible (1) from $60.00

Avg. Customer Rating: 5.0 out of 5 stars 15 reviews
Sales Rank: 918323

Media: Paperback
Number Of Items: 1
Pages: 192
Shipping Weight (lbs): 1.4
Dimensions (in): 10.7 x 8.3 x 0.5

ISBN: 0306808587
Dewey Decimal Number: 782.421660922
EAN: 9780306808586
ASIN: 0306808587

Publication Date: August 21, 1998
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Good- in (none) jacket 4to-over 9 3/4"'"-12"'" tall. Photo-illustrated wrappers display light wear. White titles and color image of Debbie Harry on front cover, rubbing to top and bottom edge, mild thumbing to corners. Black titles on spine. Book body clean, b/w photographs throughout.

Also Available In:

  • Paperback - Making Tracks: The Rise of Blondie
  • Paperback - Making Tracks: The Rise of Blondie

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  • Picture This: Debbie Harry and Blondie by Mick Rock
  • Blondie - VH-1 Behind the Music
  • Deborah Harry: Platinum Blonde

Editorial Reviews:

Amazon.com Review
Debbie Harry is probably the single most interesting and important woman in the history of rock. Well, maybe not, but all rock bios should start with hyperbole, and if anyone deserves hyperbole, it's Harry. This photo book/biography works wildly well in both its media. Chris Stein's pictures of Harry, Blondie, and the New York rock scene are not only fun in a nostalgic way, they're damn good pictures that you can stare at for hours--even without having taken the drugs that inspired them. And the story of Debbie Harry's life, as written by Harry and rock critic Victor Bockris, is two steps past weird. Who knew that Debbie was a flower child in the '60s and saw the Doors, Janis Joplin and the Velvet Underground live at some of their most celebrated shows? Or what about Debbie's stint in the psychedelic folk band Wind in the Willows? Or that Debbie was 35 years old when Blondie hit it big? Her career crosses and overruns so many moments and people in rock history that reading her bio is like driving through rock & roll heaven. And, frankly, the fact that the book is full of photos of the cutest rock star in history doesn't hurt. A must for fans of Harry and historians of rock. --James DiGiovanna

Product Description
In the photographs of Chris Stein and words of Debbie Harry, Making Tracks details the story of Blondie, whose career propelled them from the depths of the Bowery to international renown as the hottest rock group in the world. Victor Bockris aided in the formation of the text and selection of photographs, which also provides an intimate portrait of the unique collaboration between Debbie and Chris.



Customer Reviews:   Read 10 more reviews...

4 out of 5 stars The Blondie Book   October 17, 2004
 3 out of 4 found this review helpful

This book consists of photos by Chris Stein-a fair to good amateur photographer-and text by Victor Bockris (a somewhat pedantic writer) of Deborah Harry's ongoing commentary, essentially, of her and her band's history from her childhood to the current state of the band when it was first published circa 1982. I can remember buying a copy when it was first introduced at a mall bookstore which is now a storefront church: I can even remember that the counter clerk's name was Lillian, the name of Debbie's character in the fine film "Union City". (She was less than impressed, commenting that Blondie was a terrible band and that no woman except for Janis Joplin should be allowed in the rock section in record stores. They were very much _record_ stores in those days-I had at that point never seen a CD.)

It's remarkable in that Debbie was as close to a major league rock star as she was ever to be in the United States at that point, and her observations-recorded when Madonna had yet to achieve any success-on fame and media attention are even more notable for the timeframe in which they were written.

The photos are the reason most fans, particularly males, bought the book. Debbie shows off her pert, teenlike assets (at well over 30 she had the body of a high school cheerleader, boyish compared to Jayne, Marilyn or Brigitte but very desirable nonetheless and far more feminine than, say, Jamie Lee Curtis, who was appearing in the altogether in films in that timeframe) brazenly, investigates the world (particularly Europe and the Far East) with curiosity and is shown with many of the rock and film icons of the past and then-present, including Chuck Berry (whom, Deb told this writer, attempted to finger her then), Robert Fripp, Ellie Greenwich, and others. Chris is with Pierre Salinger, Debbie-who never did get to meet her own primary idol Marilyn Monroe-wears a MM dress from "Some Like It Hot", which she bought at the time she and Chris lived in penury. (Sadly it was involved in a fire, it would now likely be worth tens of thousands of dollars-the gown Marilyn wore to serenade JFK sold for a seven figure (US$) sum.)

This book in short is a delightful piece of fluff from the era which still will fascinate fans of Blondie and the New York scene in those years. It's not a serious work and won't change anyone's life but anyone who likes the tasty rock music of Blondie, the underrated vocal and acting talents of Deborah Harry, or is fascinated by that place and time for edgy popular culture will enjoy this.



5 out of 5 stars Blondie's Roots   April 4, 2004
 5 out of 6 found this review helpful

I purchased this book when it first came out in 1982 and am glad to see it's still in print. It was very hard to find back then. "The Rise of Blondie" gives an fascinating history of Debbie Harry-her childhood, what her high school years were like, how she moved to NY and began her music career, then meeting Chris Stein and getting together with the other band members. There are many unknown, humorous and interesting facts about the group's early years. The pictures are great, also. If you are a diehard fan, like me, this will become one of your favorite books. I highly recommend it!


5 out of 5 stars Blondie roots   January 7, 2004
 7 out of 7 found this review helpful

"Making Tracks: The Rise of Blondie" is a unique book -- part road diary, part band memoir. Rock biographer Victor Bockris teamed with Debbie Harry and Chris Stein to produce this book, a quirky and enlightening view of Blondie's rise to fame. Good anecdotes, wonderful pictures, and an intimate look into what it was like.

Stein and Harry first give us a glimpse of their early lives and childhoods, and then the events that propelled them to the music biz, including early band stuff (like the Stillettoes). They lived in cold apartments run by very strange people (sometimes smoking even weirder stuff), were saved by the cats, performed in the legendary CBGB's, and swirled around the music scene with the Ramones, Television, the Kinks, and now-extinct punk journalists. Then they hit the big time, jetting across the world and clinging to their rough edges.

Harry and Stein have not a single bad thing to say about their musical peers, only pleasant camaraderie. Harry's quirky wit is an easily-acquired taste; she's straightforward and dryly humorous. The parts that are more clearly Stein are a little less vivid to read. At times it's easy to get lost in the prose and forget which is which, however. What's more, the stories are less focused on the perks of fame than on the day-to-day life in a band.

The only problem is that at times, it's necessary to skip back to figure out who the heck so-and-so is, and what connection he had to Stein and Harry. However, Bockris does an excellent job of slipping in articles and written anecdotes by Harry. While the result gets a little bumpy at times, it's overall a smooth ride through the years.

The pictures are a mix of stylized publicity shots (like the pouty "Punkmate" picture) and candids. The candids are wonderful, ranging from Harry wielding a hammer in Japan to a window riddled with bullet holes to makeup for a Giger-inspired music video (truly eerie). The pictures seem spontaneous and natural, and the grubbiness of some of them gives a better idea of what it was like to live there. (Not to mention posing with the Ramones, Nancy Spungeon, Bill Murray, Joan Jett and others)

"Making Tracks: The Rise of Blondie" is not merely for Blondie fans, but for fans of now-classic rock and good music. Witty and humorous, with dozens of great photographs, this is a treasure.


5 out of 5 stars Making Tracks Makes The Blondie Last   October 19, 2003
 2 out of 2 found this review helpful

Okay, so you like Blondie, which by the way is a group. Making tracks reflects the band in ways that the fans and the public do not often see. Mostly Debbie is doing the writing here expressing her thoughts on everything from Peter Leeds to touring throughout the world. It is quite a tale especailly in the early days when the group was struggling. The book itself is what I would deem to be a work of art, it describes more than just the rock and roll business it describes on how Debbie and the band actually felt throughout. I as a huge Blondie fan would suggest that you add this gem to your collection.


5 out of 5 stars Debbie's Diary   May 12, 2003
 4 out of 4 found this review helpful

Debbie's writing style (as ingested and regurgitated by Victor Bockris) is attractrively candid, humorously intimate, and appealingly self-effacing. Debbie tells her story simply and with no frills and no excuses. She lovingly describes details of the CBGB's music scene of the late '70's down to the last detail, with a touching respect for her peers and nary a bad word to say about anyone. includes exerpts from diaries Debbie wrote on the road as well as reformatted material from various obscure magazine interviews circa 1977-1981, but editor Bockris blends it all so well it reads like one coherent monologue. In actuality, Bockris has morfed Harry and Stein's voice into one here, so it's impossible in some areas to know who is speaking. In interviews, Debbie has made reference to a "third" person that she and Stein create when they're together. You might say that person is the true author of "Making Tracks". Travelogue-style photos by Stein skimp on glamour-Debbie but compensate by invoking the environment from which she and the band sprung!

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