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Song Man: A Melodic Adventure, or, My Single-Minded Approach to Songwriting

Song Man: A Melodic Adventure, or, My Single-Minded Approach to Songwriting

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Author: Will Hodgkinson
Publisher: Da Capo Press
Category: Book

List Price: $16.95
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Avg. Customer Rating: 4.0 out of 5 stars 4 reviews
Sales Rank: 493582

Media: Paperback
Edition: 1st Da Capo Press Ed
Number Of Items: 1
Pages: 304
Shipping Weight (lbs): 0.6
Dimensions (in): 8.1 x 5.4 x 0.9

ISBN: 0306815818
Dewey Decimal Number: 921
EAN: 9780306815812
ASIN: 0306815818

Publication Date: January 7, 2008
Availability: Usually ships in 1-2 business days
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  • Paperback - Song Man: A Melodic Adventure, or My Single-minded Approach to Songwriting
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  • Kindle Edition - Song Man: A Melodic Adventure, or, My Single-Minded Approach to Songwriting

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Editorial Reviews:

Product Description
Song man is the endearing sequel to Will Hodgkinson’s Guitar Man, wherein our hero, having learned to play guitar (badly) in six months, endeavors to unlock the process of songwriting and ultimately record a single. Featuring pithy, humorous, and illuminating one-on-one songwriting lessons with Keith Richards of the Rolling Stones, Ray Davies of the Kinks, Andy Partridge of XTC, Arthur Lee of Love, Chan Marshall of Cat Power, Bob Stanley of Saint Etienne, Gruff Rhys of Super Furry Animals, and a host of others who run the gamut from unknown muses to cult icons to superstars-including Hodgkinson’s lovable crew of ne’er-do-wells first introduced in Guitar Man-Song Man is at once an investigation into the most ephemeral of arts and a highly readable journey of discovery.



Customer Reviews:

4 out of 5 stars Great fun!   May 16, 2008
One doesn't have to be a songwriter to appreciate Will Hodgkinson's odyssey. He does an admirable job of summing up the highs and lows of the creative process, regardless of genre. I thought _Song Man_ was particularly skilled at presenting the challenges of writing music in a way that doesn't require four years at a conservatory to appreciate.

The interviews with a diverse range of musicians are amazing. It's not a surprise that most of their advice conflicts -- that seems to be one of the book's central themes -- but I heard plenty of observations by artists that were nothing like what I would have expected.

And it's hilarious. I laughed out loud so often while reading _Song Man_ that people would stop me in public and ask about it. What a treat!



5 out of 5 stars a lesson in love   April 22, 2008
As a fan of Hodgkinsons excellent first book about learning the guitar, I was glad to find he'd lost none of his insight when graduating to something much tougher - writing a song that really touches people. On the way, he finds some of the funniest and most tragic people in the music industry. I thought the scene from Narcotics Anonymous with failed and desperate songwriter Lawrence (who I assume is an ex-star under a false name). Keef Richards agrees to help out as well, and you can't say fairer than that. Where Guitar Man was funny and self depreciating, Song Man is more about talent than skill - the mystery of what makes someone creative and how destructive that can be. Its made me listen to my favourite tunes in a compeletely different way.


4 out of 5 stars Funny Book   April 7, 2008
Will Hodgkinson writes with a good sense of humor. Just like in his book, Guitar Man, he tells the story from the point-of-view of an ordinary guy trying to do something extraordinary for him. Great fun!


3 out of 5 stars First person tale actually a trove of interviews with great songwriters   February 22, 2008
Will Hodgkinson is an utterly charming guy - a first rate raconteur and a delight to hang with through this entertaining book.
What first appears to be naught but a first person account of someone with little talent for and less of a clue to song writing, is actually a vessel for interviews with some of the best songwriters of the mid-late 20th Century. Some of the interviews are more revealing than others; some are revealing only of interviewee (Keith Richards, Ray Davies), some also of the songwriting craft (Andy Partridge, Andrew Lloyd Webber).
That such luminaries agreed to meet and open up to Hodgkinson is evidence enough of his charm, but he charms us too, with a breezy, conversational style but also with his gall, naivete (we don't even care if its put on or not), and affection for his friends and family (liberally laced throughout the book).
I'm inspired to return the affection - in thanks for a couple of very pleasant evenings (the perfect book for a cross country or trans-Atlantic flight!) and surprising amount - albeit mostly superficially but, so what! - of insight into the craft of songwriting (a craft I've practiced myself). A most creative approach to the subject. Hodgkinson may not be able to write a song, but he most certainly can write a book!


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