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Verdi With a Vengeance: An Energetic Guide to the Life and Complete Works of the King of Opera | 
enlarge | Author: William Berger Publisher: Vintage Category: Book
List Price: $16.00 Buy Used: $2.46 You Save: $13.54 (85%)
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Avg. Customer Rating: 8 reviews Sales Rank: 312132
Media: Paperback Edition: 1st Number Of Items: 1 Pages: 512 Shipping Weight (lbs): 1 Dimensions (in): 8 x 5.2 x 0.9
ISBN: 037570518X Dewey Decimal Number: 782.1092 EAN: 9780375705182 ASIN: 037570518X
Publication Date: September 12, 2000 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Clean, nice condition. Expedited orders placed before 3 PM EST ship the SAME DAY. Automatic Upgrade to Priority Mail shipping on U.S. orders over $40. Multiple books ordered from Look at a Book in a single checkout will help you reach the $40 threshold for your free Priority Mail Upgrade! Satisfaction Guaranteed!
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Product Description Everything you could possibly know about Verdi and his operas, from the brilliant and humorous author of Wagner Without Fear.
If you want to know why La traviata was actually a flop at its premiere in 1853, it's in here. If you want to know why claiming to have heard Bjorling's Chicago performance of Il trovatore is the classic opera fan faux pas, it's in here. Even if you just want to know how to pronounce Aida, or what the plot of Rigoletto is all about, this is the place to look. From the composer's intense hatred of priests to synopses of the operas and a detailed discography of the best recordings to buy, it can all be found in Verdi with a Vengeance. William Berger has given another improbable performance, serving up a book as thorough as it is funny and as original as it is astute, an utterly indispensable guide for novice and expert alike.
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| Customer Reviews: Read 3 more reviews...
Well done! August 25, 2008 Verdi is so an extensive subject that writing a book about his operas could potentially turn into a book of biblical size.
Berger did a great job in synthesizing Verdi's life (there is a mini biography in the beginning) and all his works. I learned quite a bit with this book and I commend his effort. It is a book that we needed. Could be a little be deeper, but, once again, it is a non-ending subject.
Bravo Berger for a Viva Verdi literary treat! February 10, 2003 5 out of 5 found this review helpful
Viva Verdi! William Berger provides a useful guide to all of the Verdi operas from the obscure "Oberto" to the classic comedic masterpiece "Falstaff" which closed the operatic master's oeuvre. Berger's book is similar to the treatment he earlier applied to Richard Wagner in his " Wagner Without Fear." This means: a. Succinct but on target plot summaries of all Verdi's operas including the Verdi Requium. b. Brief chapters on the staging of Verdi's operas; Verdi's works on CD and outstanding books on the Busseto genius for anyone wanting to know more about the King of Italian lyrical opera. Berger's work is worthwhile reading for the operatic novice or the veteran opera fan who wants to brush up on the labyrinthal plot of "Il Trovotore" or explore how Verdi's music has been used as soundtrack for motion pictures. Berger's book on Verdi is a treat for everyone enjoying opera who also relishes good writing done with wit, charm and panache! I eagerly await a similar guide on Puccini which I have learned is in the works from the pen of Berger! Highly recommended!
Bravo Berger and Viva Verdi! February 7, 2003 7 out of 7 found this review helpful
This short guide to Verdi's life and works is in indispensable gem for anyone wanting to learn more about Italy's greatest operatic composer! Berger gives a succincly informative sketch of the complex composer's life. He adds chapters on Verdi books, CD'S, Videos, staging of Verdi operas and a helpful glossary of operatic terms. The most helpful and longest part of the book deals with a brief synopsis of each opera in the Verdian canon from the obscure "Oberto" to the Master's final comic masterpiece "Falstaff." Berger lists the characters of each opera, makes witty comments on the big arias and scenes in each opera and also provides historical information on the production of each opera. I had earlier read Berger's excellent "Wagner Without Fear" and was so impressed with his writing that I eagerly turned to Berger's guide to Verdi. I understand he is now working on a similar guide to the life and operas of Puccini which will be received by this reviewer with gratitude. If you are a novice to operatic enjoyment or a seasoned Verdian this work will be a delight. I highly recommend it for your consideration!
All of Verdi's operas discussed in this little book April 2, 2002 7 out of 7 found this review helpful
Unlike another reviewer, what I really like about "Verdi with a Vengeance" is that it discusses ALL of Verdi's operas, even the early and/or less frequently performed operas. I especially like the "what to listen for" aspects, and also that it is informal and personal. I also like his discussion of different recordings and what he likes about them. I am a real Verdi-phile, and I love this little book. Only four stars because it's little and the discussions are brief. I could read a BIG book about Verdi.
A Vivid and Genial Guide to Genius February 11, 2001 15 out of 15 found this review helpful
William Beger's "Verdi with a Vengeance" is a triumph of music writing: accessible, informed and passionate. For the newcomer to the breadth of works by the great composer, this guide is a godsend, as Mr. Berger lays out the history of each opera, the story behind its plot and, most important, what makes each one special. He doesn't preach, but his enthusiasm makes a reader -- and a potential listener -- hungry to hear and see the works he so vividly describes. Mr. Berger is a master of the telling detail: he lets you know what to look and listen for in particular arias, and how these moments affect the drama. "Verdi with a Vengeance" should also delight Verdi aficionados, since Mr. Berger is so familiar with all aspects of the composer's art, his research is so deep, that he reveals new aspects of the operas (and the Requiem). His prose is free of musicological jargon, though conversant with the language of music. Mr. Berger can describe economically the emotion music can convey, and he can give a sense of the intellect behind the notes. He is a writer of wit and nuance, masterfully evoking a mise-en-scene within an opera or limning the characteristics of hammy singers. This is a book both to be savored at length and dipped into for fresh insights before attending any performance of Verdi. It is a rare book that manages to be learned as well as breezy, humorous and deeply felt.
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