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They Can't Hide Us Anymore | 
enlarge | Authors: Richie Havens, Steve Davidowitz Creator: James Earl Jones Publisher: HarperEntertainment Category: Book
List Price: $15.95 Buy Used: $3.25 You Save: $12.70 (80%)
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Avg. Customer Rating: 11 reviews Sales Rank: 1388935
Media: Paperback Number Of Items: 1 Pages: 348 Shipping Weight (lbs): 1.2 Dimensions (in): 9 x 5.7 x 0.9
ISBN: 038080378X Dewey Decimal Number: 782.42164092 EAN: 9780380803781 ASIN: 038080378X
Publication Date: July 1999 Availability: Usually ships in 1-2 business days Condition: 100% GUARANTEED! Fast shipping on more than 1,000,000 Book, Video, Video Game & Music titles all in one location! Discover Your Entertainment at goHastings.
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Amazon.com Review It's clear from reading this memoir by folksinger and social activist Richie Havens that this is one '60s survivor who hasn't become jaded. They Can't Hide Us Anymore (the title comes from a remark Havens made when he opened the Woodstock festival) traces Havens's journey from Brooklyn's Bedford-Stuyvesant district (where his musical skills aided him in staving off unwanted gang attention) to Greenwich Village at the cusp of the early-'60s folk boom. There, the positive-thinking artist/gadfly/aspiring entertainer crossed paths with everyone from Bob Dylan to Wilt Chamberlain. Then it was on to Woodstock and international (if fairly fleeting) fame. As befits an unapologetic counterculture adherent, Havens's memoir/life guide doesn't adhere to a tight structure. One minute he's offering a hasty guitar lesson, the next he's making passing reference to an encounter with the ghost of Aaron Burr at New York's Cafe Bizarre. He devotes as many words to unknown pals who've made a positive impression on him as he does to encounters with the Beatles and Elvis Presley. Some may find the fanciful flow of Havens's narrative disconcerting, but it's clearly the way the man has lived his life. It makes sense that he'd chronicle his experiences that way, too. --Steven Stolder
Product Description How did it feel to walk out in front of hundreds of thousands of people and open the Woodstock festival? What kind of life journey led from Bedford-Stuyvesant, Brooklyn, to that celebrated concert stage? And how can a man preserve the legacy of Woodstock and his own deeply held beliefs in an age of computers and instant communication? In this warm, highly personal narrative, Richie Havens answers those questions and more.Richie Havens was one of the artists who helped bring lush poetry and a social conscience to popular music in the sixties. From his unique vantage point, we watch the emerging careers of Bob Dylan, Joan Baez, Jimi Hendrix, and Lou Gossett Jr. (who cowrote one of Richie's most famous songs) and revisit underappreciated singer-songwriters, among them Fred Nell, Judy Henske, Tim Hardin, Dino Valenti, and Bruce Murdoch. From his unusual guitar style to the process of writing and interpreting songs, Richie relates both the triumphs and frustrations of the music business and invites you into the recording studio and on memorable backstage visits with the likes of Elvis Presley and the Beatles. But music is only one side of Richie Havens. He also describes his nonprofit organization for marine study and conservation, the song that sent him on a Middle East peace mission, his work mobilizing schoolchildren as environmental activists, and the true legacy of the Woodstock generation. Here is a candid, compelling, exhilarating visit with a remarkable artist whose joy in living and faith in the human spirit are contagious.
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| Customer Reviews: Read 6 more reviews...
the 60s are dead and this book proves it January 11, 2002 6 out of 14 found this review helpful
Leafing through and then reading this book at length, I had to laugh. One particularly amusing and typical account was of RH's finding symbolic significance in an ancient Israeli fort's similarity to Close Encounters of the Third Kind's movie set. Man I get high just thinking about it. I just want to unread history, numb my powers of critical thinking, and go live in a patchouli-scented yurt when this otherwise amazing, astounding musician dumbs us down this way. Ah, to be like a child again: self-centered, uneducated (as the other reviewer put it) and able to lovingly turn the pages of this book without ever aging and having to learn from experience. The sad fact is that by extolling the virtues of childlikeness in this book, Mr. Havens censors the brain itself.
Heavenly Havens November 6, 2000 2 out of 2 found this review helpful
Thirty years after he appeared as the opening act at Woodstock, folksinger Richie Havens now takes the stage as an author. He insists this book isn't a memoir but an account of the "humorous, talented and incompetent people who occupy the entertainment industry." Havens's tales of the people he met in New York City during the 1960s -- Bob Dylan, James Earl Jones (who also contributes a generous foreword), Joan Baez, Lou Gossett Jr. and others -- are full of nostalgic appeal. Such grace notes from Havens the historian, however, get overwhelmed by his penchant for pontificating -- on the environment, drug use, child-rearing, world peace, you name it. He grows wearisome fast. Warning: Havens takes astrology very seriously. He dismisses his absentmindedness as "an Aquarian trait" and describes a former business manager as a "very nervous type. He also was a Capricorn." As for John Lennon, the ex-Beatle "had a strong premonition that something was going to happen to him," reports Havens. "I know I did." All of which raises one more question: Does Havens, a talented, likable musical performer, have any premonitions about his future in publishing? All in all an interesting glimpse into a life of contradictions and fun.
Self-centered and Uneducated November 28, 1999 4 out of 16 found this review helpful
I am a 17-year old senior who had to pick an autobiography to read for my AP English class. I'd heard Mr. Havens' music before and thought that this would be an interesting read. Not having grown up in the Woodstock generation, maybe I cannot fully appreciate all that Richie Havens tried to portray, but I feel I am a relatively open-minded person.I felt that he (Havens) came across as incredibly self-centered and self-promoting. Maybe it's just me, but I feel that an autobiography should be less about one's accomplishments, which anyone can find out with a little research, but more about what makes someone the way they are. Havens talked a lot about all the wonderful things that he has done, which is fine, but it was all done in a self rightious tone. Whenever he would begin to touch on his influencees or idols, it came across in a name-dropper sort of way. You know the type of people-- the ones that have to brag about who all they know. I think his meetings with the likes of Bob Dylan, Joan Baez, etc. were supposed to come across as humble and interesting, but I didn't get that impression at all. I think that this could have been an incredibly interesting book. He is an amazing performer and has plenty of experiences and knowledge to share, but it could have been done in a more accessible and less narrative sort of way. But, what do I know? I'm just one of those rebellious members of Generation X.
A Man Well Beyond His Music September 25, 1999 If you have ever seen Richie perform, then you will feel that you are a part of this book. It draws you in like you are sitting next to him and he is telling you stories of the likes of Dylan and Hendrix. This book is an extension of Havens and shows you a side of him beyond his melodic guitar and ballads. I have spent many hours both listening to his performances and talking with him in his dressing rooms and at many Woodstock anniversaries. I thought I knew him well until I purchased his book. It showed me the real Havens, and what a great man he truly is. I urge you to sit down and read it from cover to cover and then read it again !
A soothing book written from the heart September 23, 1999 8 out of 9 found this review helpful
This book reveals the inner thoughts of Richie Haven's genius. The stories behind his story, with credits to those individuals who helped shape the true music of the 60's and 70's, are wonderful. One finds that the kindness expressed in Richie Haven's music and wishes for a better world, are those which really exist in his mind and spirit. This is a great book for anyone who grew-up in the 60's, as well as for others who love contemporary folk music and/or Richie Havens...S. Winters
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