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Jazz Chord Hanon: 70 Exercises for the Beginning to Professional Pianist | 
enlarge | Author: Peter Deneff Publisher: Musicians Institute Press Category: Book
List Price: $12.95 Buy New: $9.26 You Save: $3.69 (28%)
New (10) Used (2) Collectible (1) from $9.26
Avg. Customer Rating: 1 reviews Sales Rank: 113359
Media: Paperback Number Of Items: 1 Pages: 72 Shipping Weight (lbs): 0.6 Dimensions (in): 11.8 x 8.8 x 0.2
ISBN: 0634066668 Dewey Decimal Number: 782 UPC: 073999933314 EAN: 9780634066665 ASIN: 0634066668
Publication Date: December 1, 2003 Availability: Usually ships in 1-2 business days Shipping: International shipping available Condition: Brand new item. Over 4 million customers served. Order now. Selling online since 1995. Few left in stock - order soon. Code: H20090104022346D
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| Editorial Reviews:
Product Description 70 essential exercises in a variety of styles to benefit the jazz keyboardist, all based on the requisite Hanon studies. The exercises address major and minor modes, blues scales, pentatonic scales, workouts for right and left hands, and more. Doing these exercises is guaranteed to build fluency in twelve keys! Also includes suggested fingerings and suggestions for practice.
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| Customer Reviews:
Jazz pianist tool for improvement January 19, 2008 7 out of 7 found this review helpful
I bought this book because I had had some success with the traditional classic Hanon drills and upon taking up jazz piano, I wanted something to keep myself occupied when I missed a lesson or my teacher was away, or whatever. I found this to be probably the single best book for practicing jazz technique. Many of the exercises are based on the all important cycle (or circle) of fifths and the ii-V-I progression, but before long, it moves to scales, dominant sevenths, diatonic progressions, etc. After breezing through the first few exercises (what jazz pianist doesn't learn the cycle of fifths and ii-V-I on the first day and practice it every day for a month, without a book?), the exercises suddenly increased in difficulty and "esoteric-ness". In fact, my only real dig against this book is that it gets complex and difficult pretty fast. The only other thing I don't like is the fact that there is no explanation of what exactly you are practicing and why - just, here's some notes, good luck! (I usually get my instructor to fill in the blanks.) Still, I consider this a valuable tool in my jazz piano advancement, and I continue to use it on a regular basis. If you are a jazz pianist who occasionally needs some structure from outside besides your piano teacher, this book should fill that gap nicely.
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