Practicing: A Musician's Return to Music (Vintage) | 
 enlarge | Author: Glenn Kurtz
Publisher: Vintage
Category: Book
List Price: $13.95
Buy New: $8.20
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Avg. Customer Rating:  19 reviews
Sales Rank: 70781
Media: Paperback
Number Of Items: 1
Pages: 256
Shipping Weight (lbs): 0.4
Dimensions (in): 7.9 x 5.1 x 0.9
ISBN: 0307278751
Dewey Decimal Number: 787.87092
EAN: 9780307278753
ASIN: 0307278751
Publication Date: August 5, 2008 (New: Last 30 Days)
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New Book! Delivered direct from our US warehouse in 3-6 days (Expedited) or 10-14 days (Standard). Expedited shipping recommended for speedy delivery. Over 1 million satisfied customers.
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Product Description
In a remarkable memoir written with insight and humor, Glenn Kurtz takes us from his first lessons at the age of eight to his acceptance at the elite New England Conservatory of Music. After graduation, he attempts a solo career in Vienna but soon realizes that he has neither the ego nor the talent required to succeed and gives up the instrument, and his dream, entirely.
But not forever: Returning to the guitar, Kurtz weaves into the narrative the rich experience of a single practice session. Practicing takes us on a revelatory, inspiring journey: a love affair with music.
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| Customer Reviews: Read 14 more reviews...
 Fretwork August 19, 2008
Kurtz's book is a true journey not TO the heart, but THROUGH the heart of a musician. However, please be aware, non-guitarists need not "fret" (ha-ha). This book is for anyone seeking inspiration, seeking to draw fresh wisdom from their life's experiences, no matter the passion. The reader easily learns from, and cherishes, Kurtz's fluid yet uncluttered prose. This book is a treasure for any age, for any person seeking to know themselves and what they believe in, be it music, the arts, recollections of childhood, family. It doesn't matter. Kurtz's highly personal journey will take you far into the back reaches of your own mind and memory. I will have to read this a second time, slowly.
I found that I could not put it down. May 3, 2008
0 out of 1 found this review helpful
To previous reviewers: Yes, the book has a lot about the guitar's history, maybe too much. Yes, the book rambles at times. Yes, I wish that he had discussed more about technique and his technical growth; what were some of the "ah-ha moments"? Yes, it does have an unhappy ending. And, yes, in my opinion, Kurtz is wrong to think of guitar as having show-stopper limitations. But, then, we weren't in Kurtz's shoes when he made the decisions that he made, were we?
This is a one-of-a-kind book and if you have a serious interest in the classical guitar then this book is a must read; other kinds of musicians might find it tedious. I found that I could not put it down.
An excellent and inspiring read! April 30, 2008
1 out of 2 found this review helpful
Like the author, I too have hit two playing-ending walls and have regained my ability to practice. I really appreciate the author's insights into the various voices that can inform and jade our ability to play.
I'm so appreciative to have found this book.
 Very artful writing about being a classical guitarist in the modern world. February 15, 2008
0 out of 1 found this review helpful
I'm a jazz guitar major at a university, and our semester assignment was to read this book. I found it to be very artful in its descriptions of being a classical guitarist in the modern world. Though I could have done with out the twenty or so pages of guitar history, Dr. Kurtz does a wonderful job of laying down the realities of being a musician in a world that doesn't necessarily need them. However, I wouldn't suggest this book to just anyone. It is more suited to people who love and can relate to art music such as classical or jazz. Overall, very nice writing!
Solfege February 14, 2008
235 out of 243 found this review helpful
Glenn Kurtz' meditation on music, an extended history of the origins of the guitar with biographies of the great composers who wrote for the instrument and even the history of the development of the ancient and modern forms of the stringed guitar, makes for some of the most rewarding reading on a topic of surprising ingenuity.
The 'story' outline of the book is brief: Kurtz recounts his childhood fascination with the guitar, his extended sessions of study and practice as he prepared his career by attending the New England Conservatory of Music, eventually gaining performance time in this country and in Europe, and his decision that his talent was not of the class that merited a successful career in music that brought him to the point of giving up the guitar, to the final reason for writing this book - practicing is not a chore but a means to finding the soul of music and the soul of self in the process.
But such a short 'plot summary' in many ways defeats the purpose of this immensely satisfying book, a book that will not only be deeply admired by musicians of every rank, but a book that is so poetic and elegant in style of writing that it will entertain those whose lives have been touched only tangentially by music. 'Like every practicing musician, I know both the joy and the hard labor of practice. To hear these sounds emerging from my instrument! And to hear them more clearly, more beautifully in my head than my fingers can ever seem to grasp. Together this pleasure in music and the discipline of practice engage in an endless tussle, a kind of romance.'
From his stance as a 'returning musician' Glenn Kurtz has the retrospective edge on restating all the beauties that surround the subject of music and music making. His diversionary paths into many related subjects as listed above make this a book that is not only tender and entertaining, but also a book full of rich information for every reader. Highly recommended. Grady Harp, February 08
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