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Confessions of an Ugly Stepsister: A Novel

Confessions of an Ugly Stepsister: A Novel

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Author: Gregory Maguire
Publisher: Harper Paperbacks
Category: Book

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Avg. Customer Rating: 4.0 out of 5 stars 278 reviews
Sales Rank: 3865

Media: Paperback
Edition: 1st Pbk. Ed
Number Of Items: 1
Pages: 384
Shipping Weight (lbs): 1
Dimensions (in): 9.1 x 6.1 x 1.1

ISBN: 0060987529
Dewey Decimal Number: 813.54
EAN: 9780060987527
ASIN: 0060987529

Publication Date: October 1, 2000
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Also Available In:

  • School & Library Binding - Confessions of an Ugly Stepsister
  • Kindle Edition - Confessions of an Ugly Stepsister
  • Hardcover - Confessions of an Ugly Stepsister
  • Hardcover - Confessions of an Ugly Stepsister
  • Audio Cassette - Confessions of An Ugly Stepsister (Maguire, Gregory)
  • Turtleback - Confessions of an Ugly Stepsister
  • Paperback - Confessions of an Ugly Stepsister
  • Audio Cassette - Confessions of an Ugly Stepsister
  • Hardcover - Confessions of an Ugly Stepsister

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Editorial Reviews:

Amazon.com Review
Gregory Maguire's chilling, wonderful retelling of Cinderella is a study in contrasts. Love and hate, beauty and ugliness, cruelty and charity--each idea is stripped of its ethical trappings, smashed up against its opposite number, and laid bare for our examination. Confessions of an Ugly Stepsister begins in 17th-century Holland, where the two Fisher sisters and their mother have fled to escape a hostile England. Maguire's characters are at once more human and more fanciful than their fairy-tale originals. Plain but smart Iris and her sister, Ruth, a hulking simpleton, are dazed and terrified as their mother, Margarethe, urges them into the strange Dutch streets. Within days, purposeful Margarethe has secured the family a place in the home of an aspiring painter, where for a short time, they find happiness.

But this is Cinderella, after all, and tragedy is inevitable. When a wealthy tulip speculator commissions the painter to capture his blindingly lovely daughter, Clara, on canvas, Margarethe jumps at the chance to better their lot. "Give me room to cast my eel spear, and let follow what may," she crows, and the Fisher family abandons the artist for the upper-crust Van den Meers.

When Van den Meer's wife dies during childbirth, the stage is set for Margarethe to take over the household and for Clara to adopt the role of "Cinderling" in order to survive. What follows is a changeling adventure, and of course a ball, a handsome prince, a lost slipper, and what might even be a fairy godmother. In a single magic night, the exquisite and the ugly swirl around in a heated mix:

Everything about this moment hovers, trembles, all their sweet, unreasonable hopes on view before anything has had the chance to go wrong. A stepsister spins on black and white tiles, in glass slippers and a gold gown, and two stepsisters watch with unrelieved admiration. The light pours in, strengthening in its golden hue as the sun sinks and the evening approaches. Clara is as otherworldly as the Donkeywoman, the Girl-Boy. Extreme beauty is an affliction...
But beyond these familiar elements, Maguire's second novel becomes something else altogether--a morality play, a psychological study, a feminist manifesto, or perhaps a plain explanation of what it is to be human. Villains turn out to be heroes, and heroes disappoint. The story's narrator wryly observes, "In the lives of children, pumpkins can turn into coaches, mice and rats into human beings. When we grow up, we learn that it's far more common for human beings to turn into rats." --Therese Littleton


Product Description

Is this new land a place where magics really happen?

From Gregory Maguire, the acclaimed author of Wicked, comes his much-anticipated second novel, a brilliant and provocative retelling of the timeless Cinderella tale.

In the lives of children, pumpkins can turn into coaches, mice and rats into human beings.... When we grow up, we learn that it's far more common for human beings to turn into rats....

We all have heard the story of Cinderella, the beautiful child cast out to slave among the ashes.But what of her stepsisters, the homely pair exiled into ignominy by the fame of their lovely sibling? What fate befell those untouched by beauty . . . and what curses accompanied Cinderella's exquisite looks?

Extreme beauty is an affliction

Set against the rich backdrop of seventeenth-century Holland, Confessions of an Ugly Stepsister tells the story of Iris, an unlikely heroine who finds herself swept from the lowly streets of Haarlem to a strange world of wealth, artifice, and ambition. Iris's path quickly becomes intertwined with that of Clara, the mysterious and unnaturally beautiful girl destined to become her sister.

Clara was the prettiest child, but was her life the prettiest tale?

While Clara retreats to the cinders of the family hearth, burning all memories of her past, Iris seeks out the shadowy secrets of her new household--and the treacherous truth of her former life.

God and Satan snarling at each other like dogs.... Imps and fairy godmotbers trying to undo each other's work. How we try to pin the world between opposite extremes!

Far more than a mere fairy-tale, Confessions of an Ugly Stepsister is a novel of beauty and betrayal, illusion and understanding, reminding us that deception can be unearthed--and love unveiled--in the most unexpected of places.




Customer Reviews:   Read 273 more reviews...

5 out of 5 stars Awesome   December 6, 2008
I love Gregory Maguire's books. He takes great fairy tales and shows you a side you never thought about before. You will never see the fairy tales you once knew the same way again.


2 out of 5 stars Dragging   October 28, 2008
 0 out of 1 found this review helpful

I felt the whole story was dragging and slow paced. The concepts in the story are nothing new. The writing is mediocre.


4 out of 5 stars It Fits   October 18, 2008
Having read Gregory Maguire's 'Wicked' and 'Son of a Witch', I was curious to see what else Maguire had out there, and picked up Confessions. I'm surprised to say how much I enjoyed Confessions, but perhaps its a result of the fact that it's such a different book than the two formerly mentioned. The challenge with Maguire is he writes in a very highbrow, tongue-in-cheek manner that can turn off a lot of readers that are expecting a frothy tale, especially after checking out the musical version of 'Wicked'. In comparison, Confessions is a fair bit easier to read, partially because it isn't so deeply steeped in the Oz-verse that Maguire meticulously creates. Instead of having to explain away every little detail, Confessions focuses more on character development and moral complexities that make for an enchanting yet deep novel.

The story is this - Iris, her older 'ox-like' sister Ruth, and her shrewd mother Margarethe are in Renaissance-era Holland begging for the basics that will keep them safe, warm, and fed. After a stint working in a local artist's studio, the gang ends up working for tulip merchant Cornelius van den Meer and his wealthy wife Henrika, with Iris keeping their petulant yet pretty child Clara company. When Henrika dies in childbirth, Margarethe is poised to lead the family - although strife is rampant in the town they're living in. Margarethe sees a saving grace for everyone when a Queen of France comes to town with her godson looking for a wife - and the rest as they say, is history (of sorts).

What's great about this story is the Cinderella story, no matter what retelling you're most familiar with (I've read/watched about 25 of them), is flexible enough that Maguire can really play with it and stretch the details to fit the moral questions he wants the reader to ask. Is beauty more desirable than cleverness and charm? At what price does happiness come? Can you be comfortable without a touch of maliciousness? How strong are the bonds of family over love? Despite the context of the story, Maguire refuses to wrap things up Happily Ever After, leaving you to question the resolutions for each character and how fitting they are.

Overall I'd say this is a good book. If you've tried to pick up a Maguire book before and found it too dense, Confessions is a lot lighter, although by no means a piece of fluff - it's just easier to read. The characters and the situations they find themselves in are interesting and developed, and the story itself is reframed in a very 21st-century way, despite the era its from.



5 out of 5 stars Maguire has done it again   October 2, 2008
His wonderful novels have yet to disappoint. He is so descriptive and clear, I find myself drawn into his worlds completely. I have read 4 or 5 of his novels now and every time I have thoroughly enjoyed his twisted take on a familiar back story. Keep 'em coming!


2 out of 5 stars Same Shtick, Different Fairy Tale   September 26, 2008
 4 out of 6 found this review helpful

*Two and a Half Stars*

Having already read Gregory Maguire's 'Wicked' I was something less than thrilled when I got roped into reading 'Confessions of an Ugly Stepsister' for a decidedly informal book discussion group. It wasn't that I found 'Wicked' a bad read, I actually rather enjoyed it, but the blurb on the back of 'Confessions' lead me to think that Mr. Maguire had essentially repeated the same formula with a different fairy tale. (Actually, 'Wicked' was written after 'Confessions' but I read 'Wicked first...) Deconstructing a fairy tale and retelling it from the point of view of what is traditionally an unsympathetic character looses its novelty quickly.

Anybody who has read 'Wicked' will instantly feel right at home. Mr. Maguire provides interesting characters and plots that keep a reader interested. That said, I found the writing itself in 'Wicked' to be better than the writing in 'Confessions of an Ugly Stepsister.' The retelling of Cinderella felt less developed and 'Confessions' world, 17th Century Holland, seems less vivid than Maguires reimagining of Oz.

With the novelty of retooled fairy tales gone, 'Confessions' ended up being a bit underwhelming. While the opening scenes were engrossing, the middle of the book was merely ok and the climactic scene, Cinderella at the ball, ended up feeling slow and flat. The post script seems like an afterthought.

Mr. Maguire has turned his shtick into a cottage industry, which is fine. It's a decent shtick. But unless you're interested in going through a post-modern reinvention of every single one of Grimm's Fairy Tales, read 'Wicked.' The concept is the same and the writing and the plot are better.


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