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Street Scene (1989 English National Opera Cast) | 
 enlarge | Creators: Kurt Weill, English National Opera Chorus & Orchestra, English National Opera Orchestra, Catherine Zeta Jones, Angela Hickey, Antony Rich, Arwel Huw Morgan, Ben Craze, Berin Mehmet, Blythe Duff
Label: Jay Records
Category: Music
List Price: $38.98
Buy New: $26.77
You Save: $12.21 (31%)
New (18) Used (4) from $26.77
Avg. Customer Rating:  3 reviews
Sales Rank: 155925
Format: Cast Recording
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
UPC: 605288123221
EAN: 0605288123221
ASIN: B000005BGJ
Release Date: October 29, 1996
Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Act 1: Introduction | | • | Act 1: Ain't it awful, the heat? | | • | Act 1: I've got a marble and a star / Scene | | • | Act 1: Get a load of that/scene | | • | Act 1: When a woman has a baby | | • | Act 1: Scene / She shouldn't be staying out nights | | • | Act 1: Somehow I never could believe | | • | Act 1: Scene / Get a load of that! / Scene | | • | Act 1: Ice cream sextet / Scene | | • | Act 1: Let things be like they always was / Scene | | • | Act 1: Scene / Wrapped in a ribbon and tied in a bow / Scene | | • | Act 1: Lonely House | | • | Act 1: Scene / Wouldn't you like to be on Broadway | | • | Act 1: What good wuld the moon be? | | • | Act 1: Scene / Moon faced, starry eyed / Dance |
Disc 2
| • | Act 1: Scene / Come on | | • | Act 1: Remember that I care | | • | Act 1: Finaletto | | • | Act 2: Introduction / Catch me if you can / Scene | | • | Street Scene/Scene - Weill, Kurt [1900-1 | | • | Street Scene/Remember That I Care - Weill, Kurt [1900-1 | | • | Street Scene/Finaletto - Weill, Kurt [1900-1 | | • | Street Scene/Introduction - Act 2 - Weill, Kurt [1900-1 | | • | Act 2: Scene / There'll be trouble | | • | Act 2: I tried to be a good wife to him / Scene | | • | Act 2: A boy like you / Scene | | • | Act 2: The Murder | | • | Act 2: We'll go away togther / Scene | | • | Act 2: The woman who lived up there | | • | Act 2: Interlude | | • | Act 2: Scene / Lullaby | | • | Act 2: Scene / Oh officer | | • | Act 2: Finale - Don't forget the lilac bush | | • | Act 2: Finale - Ain't it awful, the heat? | | • | Street Scene/The Woman Who Lived Up There - Weill, Kurt [1900-1 |
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| Customer Reviews:
 ah, the nostalgic memories... July 26, 2004
2 out of 6 found this review helpful
Quite a few years back I played the part of Charlie Hildebrand for the LOC's performaces at the Fulton Opera House. After those shows, I followed my phillosophy on not looking back at the past, so the shows faded from mind fairly quickly.
Fast forward to 2004. I become reminded of Street Scene thanks to another mention of Weill and put it upon myself to look up "Street Scene" on cd. No store carried it locally, but got a copy through special order.
The performace and recording is top notch. And Charlie is still my favorite character, for obvious reasons. Street Scene is probably one of the greatest overlooked operas around.
Four stars for the cd set, one star for nostalgia.
 interesting... December 17, 2001
3 out of 12 found this review helpful
I never realized what singing talent Catherine Zeta Jones had until I heard her on this CD!! Right after I went on [another internet retailer] and bought some of her other CDs! ((By the way, Amazon.com employees, you should sell her other CDs here)) :) The other songs are good too.
Definitive Recording of an overlooked classic January 29, 2000
23 out of 27 found this review helpful
I can't help wondering why Street Scene is not listed among all the other 40's-50's Broadway shows. It was, quite simply, the first work of operatic bredth produced on a Broadway stage. The sheer musical richness of Weill's score is truly stunning; he manages to sustain musical interest over the entire show. I can say without hyperbole that the score is comparable to Porgy and Bess. Weill ranges from spooky psychological songs (like Lonely House) to pseudo-"Broadway" numbers (like Wrapped in a Ribbon), to mock opera (the hilarious ice cream sextet, which some call Weill's thank-you to America), to real opera (like Anne's Aria), to jitterbug, swing, blues, chorales, on and on. The only real problem with the score is the lyrics: Langston Hughes (whose praises as a poet hardly need to be sung by little me) proves to be a terrible lyricist, and his (and Elmer Rice's) prosaic, mis-accented, occasionally non-sensical words often impale the music. Also, Rice's basic story (which one can follow fully on this CD; every line of dialogue is here) is hokey, and attenuated in the extreme. Still, the score is wonderful. This recording is the definitive version, and not only because its the only one that preserves the whole score. The cast is generally excellent (although some of the singers, especially the ingenue-if you can call it that-couple, are jarringly old for their parts; and as opera singers they cant all really be expected to give fully-fleshed performances.) The orchestra is lush and full (although i must quibble on one point - for some reason every song keeps the beat with a high-hat, which is awfully inappropriate at times.) All in all, this recording is an excellent buy, a great (if not perfect) recording of a treasure of the musical theater.
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